It’s been a hot minute (or year) since I’ve updated this thing.
(blows off the dust)
This is getting to be an unfortunate habit.
So what’s new?
On the fantasy end of the writer ‘verse, I’m very pleased to say that my story “A Conspiracy of Cartographers” is now up at GigaNotoSaurus! Opera composers! Magical maps! A title stolen from some Tom Stoppard dialogue!
And on the horror end of things, on October 8 I’ll be participating in Storycrafting Sessions: Horror, a free one-day virtual conference hosted by Weeknight Writers. I’ll be on the 2:30 p.m. EST panel, “Crossroad Blues: Exploring the Boundary Between Life and Death.”
Hopefully I will have more news and ramblings to come in the near future instead of disappearing again.
Next weekend I’ll be participating in Virtual Philcon 2020. While there’s a lot to miss about in-person cons, one plus side of Philcon being online this year: you can attend for free! (Though if you’re willing and able, they do ask for a donation in lieu of membership fees.)
Here’s my schedule:
Reading Friday, November 20, 8:30 pm EST
I’ll probably be reading a couple flash pieces for this one.
Panel: Heinlein’s Third Rule of Writing Saturday, November 21, 10:00 am EST
“You must refrain from rewriting except to editorial order.” How useful is this advice? Why do some people swear by it, and others swear that the best thing you can do is ignore it?
Panel: How Many Different Modes of Editing Are There? Sunday, November 22, 11:30 am EST
Checking for mistakes in grammar or spelling is one obvious focus of editing your work; looking at potential problems with pacing and plot-holes another. But what about edit passes for tone, and examining how your word choices and sentence structures impact the feel of a scene? Or the value of doing a draft that looks solely at removing anything unnecessary?