The writing has been slow-going these last couple weeks, but there have at least been writing-related shiny things that I finally have time to post about:
* Shiny thing #1: My story “Notes on a Page” (along with some shiny pretty artwork by Nick Greenwood) is now out in issue 32 of Intergalactic Medicine Show.
* Shiny thing #2: I’m super late mentioning it, but a few weeks ago I got to babble over on my awesome Odyssey classmate Rebecca Roland’s blog as part of her Thumbnail Thursday series.
* And last but certainly not least, shiny thing #3: I’m quite pleased to say that I recently received an acceptance from Daily Science Fiction for my story “Memories of Mirrored Worlds,” to which I owe thanks to Jaime Lee Moyer’s orphaned first sentence contest for the inspiration.
My spring semester has begun, so I’ll be spending a lot of time in the lack-of-blogging abyss once again, but for this brief moment, I emerge with three things, two of which are shiny, the third not so much:
1) I’m thrilled to announce that my short story “Notes on a Page” will be appearing in Intergalactic Medicine Show! Some squeeing may have ensued.
2) Today I’m babbling over at Penumbra‘s blog about turning an idea into a story–or, as I call it, bunny wrangling.
3) It’s way too fricken cold out!
First, Izzy David’s podcast of my story “The Little Things” is now up at Every Day Fiction. Please have a listen and rate it if you feel so moved.
Second, story sale! I’m pleased to say that my story “Ghost Writer to the Dead” has been accepted for Penumbra‘s October 2012 Edgar Allan Poe issue.
And finally, so it’s not all about me, some pimpage for writerly compatriot Marshall Payne, who has recently released two novels, Petrol Queen and Jimmy-Don and the Texas Hill Country Ordeal. I haven’t had a chance to read them myself just yet (because I’m a horribly slow reader with a very large to-read pile), but if they’re anything like Marshall’s short fiction, they’ll make for a fun, quirky read. You can find links to them on his Amazon author page.
Let me explain. No, there is too much. Let me sum up:
* A story sale! My flash fiction piece “The Little Things” will be appearing in Every Day Fiction on July 9.
* I’ve added my short story “The Deepening” (from issue 37 of Aoife’s Kiss) to those I have available on AnthologyBuilder.
* In a few weeks I’ll be heading off once again to TNEO, a week-long workshop for alumni of the Odyssey Writing Workshop. As a result, I’ve been knee-deep in critique mode the last several weeks, but those are pretty much done now. I rewarded myself with new shoes.
And now I must sleep and prepare for Monday, which is soon to assault me with its Mondayishness.
Three more weeks until the semester ends and I might actually have time to be an active blogger again. Emphasis on the might part given the way my crazy schedule goes.
In the meantime, I’ve briefly surfaced for two quick bits of cheery news:
1) My story “Sea of the Gods” was accepted by BayCon to appear in their next upcoming progress report. They were originally going to publish only one flash piece in a progress report, but lucky for me, they decided to publish a second one.
2) And my opera-singer-meets-the-zombie-apocalypse story “The Holy Spear” from Black Static 25 made Ellen Datlow’s full list of honorable mentions for The Best Horror of the Year, volume 4.
Now back to those looming end-of-semester deadlines.
It seems I went AWOL on the blog posting front. Again. But now that I’m here, many things…
SIGNALS: First, a signal boost: Say Yes to Gay YA, where authors Rachel Manija Brown and Sherwood Smith talk about an unfortunate instance of being asked to either make a gay character in their novel straight or remove the character’s POV altogether. EDITED TO ADD: Some follow up. And this is where I bow out without further comment other than to say: must so many people resort to needing to cast a villain with a dastardly agenda in the matter instead of considering that it’s more likely not so clearcut?
STUDY: Busy grad school is busy! But despite some initial moments of panic (because that’s what I do), I’m settling into the school routine just fine and have started to find a balance between class and everything else I need to squeeze into my days. You know, like writing. Speaking of…
STORIES: Appropriately enough for a writer, there are sevveral things going on in the story department:
* Now available for purchase is the 2011 Untied Shoelaces of the Mind Anthology, which includes my twisted little flash piece “Mr. Fluffy.” The story should also be online soon in issue 5 of Untied Shoelaces of the Mind.
* My story “The Cycle of the Sun” was accepted for publication in the March 2012 issue of NewMyths.com! My Odyssey classmates will quite possibly remember this piece as “the orgy story.”
* My steampunk lemurs on a dirigible story, “A Red One Cannot See” (originally published in Shimmer’s Clockwork Jungle Book issue), has been added to my stories available at AnthologyBuilder
* And I’ve finally gotten to work on the revisions for my story “The Girl Who Welcomed Death to Svalgearyen,” which I got some great feedback on back in July at TNEO. Much like my daily schedule right now, these revisions are proving to be quite the balancing act. There are some changes to make that I think are going to really strengthen the story, but I feel like it would be easy to do too much and totally edit all the life and magic out the story.
Tomorrow I head off to the The Never-Ending Odyssey (aka TNEO), a week-long workshop for alumni of the six-week Odyssey Writing Workshop, so my current blogging scarcity will likely become even scarcer. But before I head out, an actual post!
Gearing up for TNEO over the last several weeks got me wondering: just how much have I really grown as a writer since attending Odyssey in 2007?
Writing workshops are most definitely not for everyone, but for some of us, they can be an amazing, inspiring, eye-opening experience. And contrary to what some would suggest, not all writing workshops result in cookie-cutter stories written to some kind of formula. I’m sure there are some that do, but my Odyssey classmates and I went into the program as very different writers, and we all came out of the program remaining very different writers.
Had I not attended Odyssey and just continued writing and seeking feedback on my work, I’m sure I would have still improved and grown as a writer over time. But I think Odyssey pushed me in the right direction harder and faster than I would have been able to do on my own. The question, though: how do you quantify that?
Writing success can be subjective and dependent on factors other than talent or the strength of a story. (Sure, you wrote a fantastic story about radioactive bunnies, but Magazine A just published a story about radioactive bunnies.) And of course, sales and artistic merit don’t always go hand in hand. (Repeat to self: I will not rant about sparkly vampires.) But because I’m someone who writes with the hope of achieving publication success, sales are probably the best measure I have to go with. That, and I’m one of those sick people who actually enjoys crunching numbers.
Crunching and analysis under the cut…